“In an industry with a variety of shotgun microphones, we built the 2017 to stand out from the crowd, and we look forward to presenting it to attendees of ISE this year,” says Helga Volha Somava, Product Management Director, DPA Microphones. “Measuring just 184mm (7.24 inches) in length, the 2017 is more compact than many popular solutions, yet it still offers impressive technological features, including high directivity. From its durable construction and ease of use to its leading acoustical properties, the 2017 can capture the energy of any event.”

Designed to endure extreme weather and mechanical impact, the 2017 will hold up to travel and repeated use in harsh environments. The microphone persists in humid conditions and direct rain showers, as well as dry, arid environments. It has been tested for use in settings with temperatures up to 45°C (113°F) with 90-percent relative humidity, and cold environments as low as -40°C (-40°F). With a consistent ability to easily withstand the effects of moisture, the 2017 ensures that any event can go live with incredible sound, no matter the setting or forecast.

Featuring a specifically designed capsule that is perfectly paired with a cutting-edge interference tube and microphone grid, the 2017 offers outstanding performance, both on- and off-axis. It has a high degree of off-axis rejection, which permits the main source to stand out. This heavily attenuated off-axis audio is authentic and extremely usable for mixing into the entire soundscape.

Audio professionals can now pick up accurate, clean sounds from even the most minute sources—as well as loud, ambient audio when preferred. For quieter locations, the 2017’s low self-noise promises an excellent performance, even in the presence of many open microphones.

The post DPA Microphones showing 2017 Shotgun Microphone at ISE 2024 appeared first on NewscastStudio.

The Model 201 creates a complete interpreter position and includes both standard features as well as advanced functionalities that are not typically provided by “off-the-shelf” interpretation equipment. The Model 201 includes the ability to create two independent interpretation audio channels. Configuration choices allow a variety of audio content to be included in the interpretation audio; content that can be automatically muted or dimmed (reduced in level) when interpretation is active. This is especially important for off-site or Internet streaming applications.

A dual-channel (stereo) headphone output can be configured to meet the needs of the interpreter. This includes selecting the audio sources, channel routing, and sidetone (confidence) signal operation. A set of buttons and rotary controls allow the user to establish the site-specific operating condition they desire.

• Separate interpret active and mic mute buttons allow the connected microphone to be routed to the desired interpretation channels as well as being momentarily muted.
• An independent talkback function, which allows a separate audio path to be established from the interpreter to production personnel.
• A slow down function, which allows the interpreter to signal to the presenter (the originator or “floor” source) that speaking more slowly is warranted.

While the Model 201 can be used by itself to create a simple, single-language interpretation position, it can easily become part of a multi-language, feature-rich application. By utilizing Dante technology, one or more Model 201 units can integrate with other Studio Technologies’ products to achieve a sophisticated voice interpretation system.

The Model 201 provides a 2-channel (stereo) headphone monitor output that is routed to both 5-pin female XLR and 3.5 mm TRRS headset interface connectors. Two pushbutton switches and three rotary controls on the unit’s front panel allow users to select their desired headphone audio sources and signal levels. One pushbutton switch and two associated LED indicators allow direct selection of the desired monitor source, either the “floor” (the person whose text needs to be interpreted) or “relay” (an intermediate audio signal that is usually selected as an interpretation technique to support multiple languages). Two additional Dante receiver (input) audio channels, named Aux 1 and Aux 2, can be used to interface the Model 201 with signal sources such as audio consoles, media playback systems, or remotely located equipment.

The Model 201’s audio quality is excellent, with low distortion, low noise, and ample headroom. Only a Power-over-Ethernet (PoE) connection and headset with attached microphone is required for operation. The Model 201 supports both “pro” headsets that use a 5-pin XLR connector as well as “gaming” headsets that use 3.5 mm TRRS plugs. The Model 201 is housed in a compact but rugged steel enclosure that’s intended for table-top use. Its small size makes it ideal for applications in space-constrained locations.

The Model 201 is configured using the STcontroller software application. Available free of charge from Studio Technologies, STcontroller allows production personnel to quickly and easily configure the unit’s operating capabilities to meet an application’s exact needs. STcontroller is offered in versions that are compatible with the WinOS® and macOS operating systems.

Studio Technologies will also have a range of its solutions to aid integrators and a range of AV projects at ISE 2024, including its Dante leader clocks, bridges, and intercom engines, as well as announcer consoles and beltpacks.

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For the 4K transition, BTS and Joyce Meyer Ministries worked together to select Canare’s 12G-SDI/4K video patchbays, panels and coax cables with various connectors. “I have used the brand in the past, but this was first time we’ve done a Canare install of this caliber, and we have been very pleased with the results,” says Bill McKee, Broadcast Technical Services CEO. “The solutions have been great—the connectors went on easily and we have had no issues. In fact, we just did another 12G/4K install for another church and ordered all the same materials we used for Joyce Meyer Ministries.”

Now fully upgraded to 4K, the team at Joyce Meyer Ministries reflects on the benefits that Canare brings to the organization. Since the organization broadcasts globally, long-lasting connectivity was a major consideration. “The connectors are easy to terminate; we bought the right tools and all connections passed testing after termination,” says Joyce Meyer Ministries Broadcast Engineer Brian Laschober, who was pivotal in choosing the Canare solutions. “Every connector works flawlessly.” Laschober further emphasized Canare’s durability, which is important for an integration of this size. “I think Canare is a leader in the industry; the quality is on par, or better than, a lot of the other manufacturers,” he shares. “From past experiences, I know I will get the same durability with these new solutions as I have with the older models, which all continue to perform flawlessly.”

Laschober adds that the ministry also needed a product that would integrate well with the cameras they use. “We use the Sony HDC-F5500, which is a full-size, 4K broadcast camera—six of them for the studio and another six on the road,” he explains. “The integration between Canare and the Sony cameras has been great, and everything works perfectly. When the time comes to upgrade the remainder of our road fleet to 4K, we will use Canare for that as well.”

As a longtime Canare user, Laschober knew the brand was the right solution to assist Joyce Meyer Ministries. “I have been using a variety of Canare and used cables and connectors since the 1990s,” he continues. “I especially like the design of their BNC connectors—they don’t seem to tarnish. I have a 20-year-old Canare connector, and it still looks brand new compared to other connectors I have used in the past. On top of that, Canare provides higher specs at a lower cost and with a quicker turnaround time than any other competitor on the market. Best of all, Canare was able to meet the need and get it done within our timeline.”

Price and time are typically two major considerations for house of worship installations. “One of our objectives is to try and save money for the churches we partner with,” explains McKee. “Canare equipment falls into a price point that makes it possible to use the brand with smaller churches. This was a major install of Canare products, and everything went flawlessly—from ordering to installation. With all the equipment shortages the industry is facing, it was hard to find a brand that could deliver in the timeframe we were faced with, but Canare was able to get us everything we needed to meet our 12G spec quickly. Since Canare builds all its solutions, I also know that the equipment will always be in stock.”

This is not the first installation that Joyce Meyer Ministries and BTS have worked on together. The two organizations have partnered on various other projects over the past 20 years. BTS specializes in providing system design, installation and equipment recommendations for sports venues, houses of worship and television networks. An industry veteran, McKee worked in the industry for many years prior to starting the company, providing component level repair and maintenance on a variety of intercom systems, switchers and routers. He is perhaps most well-known for his role in the creation of the HSC Sunshine Sports South Prime Network, which is now known as FOX Sports Network.

Laschober got his start in house of worship AV productions at a local church before landing at Joyce Meyer Ministries nearly 25 years ago. Today, Laschober serves as the organization’s broadcast engineer, overseeing the technology supporting video and post-production in three studios, as well as location production capabilities. He has also been involved with system integration of all the editing suites, broadcast studios and control rooms at Joyce Meyer Ministries, and as a broadcast engineer for the organization, traveling with the team to its conferences in larger-scale stadiums and arenas.

Joyce Meyer Ministries has a large global presence that connects with millions of individuals each month through its website and social media platforms. The non-profit also shares its message through TV, radio and live conferences around the globe, and provides global humanitarian aid built on the foundation of faith.

The post Case Study: Canare provides connectivity for Joyce Meyer Ministries appeared first on NewscastStudio.

The latest solution combines the great sound quality, excellent range, and budget-friendly price point of MicroCom XR with the comfortable fit, exceptional noise isolation, and flip-up microphone muting technology of the SmartBoom PRO headset, but without the wire. In addition to its immediate availability, the company will also be highlighting the solution at NAB New York 2023 (Booth 1144), along with CrewCom’s new IP-rated Radio Transceiver.

“We look forward to showcasing these new production level solutions at NAB New York,” said Gary Rosen, Vice President of Global Sales for Pliant Technologies. “The addition of the MicroCom 900XR Wireless All-In-One Headset to our MicroCom line is the perfect solution for users looking for quality communications, at an affordable price.”

The new MicroCom 900XR Wireless Headset exhibits the same proven performance and functionality as the MicroCom 900XR beltpack but is engineered to fit inside the SmartBoom PRO headset ear cup. Its unique all-in-one design features an easy-to-read OLED display, two intercom channels with a dual listen option, and support for up to 10 full-duplex users including unlimited listen-only and shared users.

The MicroCom 900XR Wireless Headset is available in single- and dual-ear configurations featuring an internal antenna and field swappable batteries with considerable run time (14 hours on the dual-ear headset and seven hours on the single-ear headset). Its lightweight and adjustable design allows for comfortable all-day wear and the headsets collapse for easy storage and travel when the production or project is complete.

Also available with the new MicroCom XR Wireless headset is the industry’s first Drop-in-Charger [PBT-HSXRC-66] for an all-in-one style headset. Up to six individual headsets (single or dual) can be put on the charger without having to remove their battery or plug in a USB charging cord to the headset itself. Users can also drop in up to six additional batteries (sold separately) for simultaneous wireless headset and spare battery charging capabilities.

Pliant will also feature its new CrewCom IP-rated Radio Transceivers (RTs) at the show, which are ideal for any installation or live event where outdoor placement of transceivers for wireless coverage is required. Available in 4 models; 900MHz for North America, 900MHz for Oceania and Latin America, 2.4GHz for CE countries and 2.4GHz for all other areas, the new line of highly weather resistant IP-rated RTs provides wireless intercom coverage where needed, without any concern regarding weather related issues.

The newly designed RT features a sleek, yet durable ABS plastic housing along with silicone-molded connector covers to ensure moisture ingress protection for unused connections. In addition, an updated power connector (for use with the optional PPS-48V-02 Power Supply) has also been added to allow for a push/pull quick-release connection and disconnection while still maintaining its IP rating. The IP-rated RT supports seamless roaming and can be software selected for either six Normal mode users or 32 High Density users and is 100 percent compatible with all CrewCom systems and existing transceivers.

The post Pliant Technologies now shipping MicroCom 900XR all-in-one wireless headset appeared first on NewscastStudio.

“In an industry with a variety of shotgun microphones, we built the 2017 to stand out from the crowd,” said Helga Volha Somava, Product Management Director, DPA Microphones. “Measuring just 184mm (7.24 inches) in length, the 2017 is more compact than many popular solutions and still offers impressive technological features. From its durable construction and ease of use to its leading acoustical properties, the 2017 can capture the energy of any event. Whether it is used in fixed positions at facilities or on camera systems and booms, our goal was to create a dedicated, optimized broadcast and live sound microphone that rivals the competition and provides exceptional value for professionals.”

Designed to endure extreme weather and mechanical impact, the 2017 will hold up to travel and repeated use in harsh environments. The microphone persists in humid conditions and direct rain showers, as well as dry, arid environments. It has been tested for use in settings with temperatures up to 40°C (104°F) with 90-percent relative humidity, and cold environments as low as -40°C
(-40°F). With a consistent ability to easily withstand the effects of moisture, the 2017 ensures that any broadcast or event can go live with incredible sound, no matter the setting or forecast.

Featuring a specifically designed capsule that is perfectly paired with a cutting-edge interference tube and microphone grid, the 2017 offers outstanding performance, both on- and off-axis. It has a high degree of off-axis rejection, which permits the main source to stand out. This heavily attenuated off-axis audio is authentic and extremely usable for mixing into the entire soundscape.

Audio professionals can now pick up accurate, clean sounds from even the most minute sources—the thud of a foot meeting a ball, the brush of a jostled jersey or a reporter’s voice against a crowd, as well as loud, ambient audio when preferred. For broadcasts that take place at quieter locations, the 2017’s low self-noise promises just as excellent a performance, even in the presence of many open microphones.

DPA has also prioritized versatility with the 2017, creating an easy to set-up mic that is ideal not only for fixed or booming applications in live sports and news broadcasts, but also in the theatre on a FOH boom or fly bar; for indoor or outdoor booming while capturing location sound; or to pick up a musician’s ambient blend for in-ear monitoring during live musical performances.

The post DPA Microphones launches new shotgun microphone appeared first on NewscastStudio.

Unlike the festival, which hosts thousands of attendees across eight stages over two consecutive weekends, the TV series presents up to 20 performances each year from Downtown Austin’s historic, 2,800-seat Moody Theater. Among the most recent artists to take the stage at the iconic venue was the GRAMMY-winning duo Rodrigo y Gabriela, who performed with the Austin Symphony to kick off Season 49 of the show. Leading into production for the new season, Audio Supervisor Randy Reynolds decided it was time to modernize the show’s audio solutions, turning to DPA Microphones to deliver a new level of innovation.

With the Rodrigo y Gabriela performance, Reynolds selected DPA 4099 Instrument Microphones for the 26-member symphony and 2011 Twin Diaphragm Cardioid Microphones for percussion. “DPA has quality, modern microphones with exceptional sound, which makes a huge difference in a production like ours,” he said. “Austin City Limits and its performers are very interested in providing people with a unique experience. I think we really did that, and it had a lot to do with our partnership with DPA. The microphones are well-made; they hold up and are the easiest things in the world to set up. We had no issues with any of the microphones and it was a very smooth process for us right out of the box, which is super rad and appreciated.”

As someone who has been involved with hundreds of live performances, Reynolds values a microphone that truly lets the artists’ voices shine. “I think what makes DPA microphones special is that they have a very flat response that emphasizes the player and the passion they put into their music,” he says. “That’s the draw for me with DPA―the performer and the performance are what’s highlighted the most. That really enhances the experience.”

Reynolds also explained that while the venue does provide performers with access to its microphone locker, many of the more established acts will come with the solutions they prefer to use. “One of the goals of Austin City Limits is for the shows to be completely artist-driven,” he said. “We don’t tell them what gear to use, what songs to play or even how long to play. We’re just here to support them, to ensure they have the best performance possible. We put a lot of effort into working with the teams to get the sound they are looking to achieve; one aspect of that is to provide the highest quality equipment, like DPA microphones. Since adding it to our gear list, there have been many artists who are super stoked to see the brand on our riders.”

As a kid growing up in Houston, Reynolds watched the Austin City Limits television show for many years before fulfilling his dream of joining the production, where he has now been working for nearly a decade. A long-time DPA user, Reynolds knew from the start that he wanted the brand to be a part of the in-house systems update and continues to look for groundbreaking ways to produce great shows for great artists.

Recognized by Time magazine as one of the 10 most influential music programs of all time, Austin City Limits appears weekly on Austin’s KLRU/PBS with a wide variety of musical styles and genres. In addition to performers like Loretta Lynn, B.B. King, Bonnie Rait, Chris Stapelton and Brandi Carlile gracing the stage, Austin City Limits has earned prestigious accolades such as a Peabody Award and the National Medal of Arts. Additionally, the show’s iconic venue―the Moody Theatre―has been enshrined as a Rock & Roll Landmark in the Rock & Roll Hall of Fame and Museum. Austin City Limits Season 49 begins airing October 7 with 14 episodes.

The post Case Study: PBS’ Austin City Limits utilizes DPA Microphones appeared first on NewscastStudio.

“The wide range of TSL control solution offerings – from entry-level to advanced – makes us the ideal go-to partner for flexibility, reliable quality and affordability. We can help design a transition that reduces engineering resource costs and optimises sustainability, all while de-risking and future-proofing facilities in a way that maximizes the lifetime ROI,” states Matthew Quade, CEO of TSL.

TSL Control offers modular processing to help customers manage a wide range of challenges, including the transition to IP, reactive ad insertion, universal device control, camera delegation, protocol translation, router control, server/clip control, SNMP monitoring, disaster recovery systems, monitoring (firing presets, creating salvos), graphics, scheduled actions, and secondary events.

New TallyMan Highlights
The award-winning TSL TallyMan product family serves as the central control system for fast-paced media workflows, eliminating the chaos of managing multiple hubs and bespoke systems required to produce and distribute sports, news, concerts, house of worship, and other live broadcast events. Control challenges that come with smaller systems or fly-packs can be addressed and easily reconfigured as production demands change. New redundancy capabilities further simplify productions and bring greater return on investment which include:

– Automatic failover solution
– Fully automatic synchronization of user-config across the redundant pair of controllers
– Single virtual IP, making it easy and transparent for external IP systems to interact with the current active controller, with no changes needed to those external systems
– Support for parallel-wired serial and GPI input and output ports. As with the virtual IP, it means that no changes are needed in order for external systems to interact correctly with the current-active controller
– Easy-to-use 4-button redundancy control panel, allowing monitoring and manual override of the redundancy system from a convenient operator location. Connects to the system over ethernet and powered by PoE for ease of installation.

“Our advanced control solutions have grown from a one-feature product – live production tallies – to a complete broadcast control product including router control, device control, and more, serving a much more critical role in customer workflows. Redundancy has become more important than ever before.” states Maurice Snell, Control Solutions Architect, TSL. “In the past, customers had to deploy complex and expensive external solutions to achieve control system redundancy. Now, with the new TallyMan capabilities, they have an easy-to-use, cost-effective, fully automated redundancy solution that doesn’t need additional rack space. With just a small optional control panel, they can monitor and override the redundancy.”

Team player when it comes to winning
Vendor-agnostic, TSL Control works seamlessly alongside existing infrastructure, enabling customers to create best-in-class workflows while simultaneously streamlining systems.

TSL excels at protocol translation and NMOS integration, and prides itself on its ability to work with equipment from any vendor. This means that, no matter what brand of equipment customers have, TSL can integrate it into their productions, easily facilitating interoperability across the operations and fast production workflows. With TSL, monitoring, control, and management layers always work together smoothly whether it’s on-prem, on-location, virtualized or in the cloud.

TSL control solutions can help with the following workflow challenges:

– IP transition – TSL can help ease the transition to IP by offering a path towards migrating to IP infrastructure while making it compatible with existing baseband control infrastructure. Utilising NMOS, TSL’s multi-award-winning X-Connect takes care of the end-point discovery and media flow subscriptions while presenting it to the new or existing SDI router control system so that the operators can gain familiarity with controlling IP media flows.
– Ad insertion (SCTE) – For broadcasters navigating the thrilling world of live sports and news, the unpredictability of highly reactive content can make signaling ad insertion challenging. Rapid changes in content increase the likelihood of failing to deliver ad-breaks at the right time, risking reputational damage with advertisers. TSL Control allows for flexible automated management of SCTE inserters, providing validation and manual triggering of SCTE data to cope with reactive ad breaks. It can also interface with a wide array of automation systems to allow for scheduled ad insertion.
– Device control – Operators are faced with a bewildering array of control surfaces, web pages, and graphical user interfaces to control even a simple production. This can lead to delays and errors, affecting production values and output, and even causing a financial penalty (service credits) from the broadcasters’ customers. TSL Control with its vast array of device interfaces can allow for the flexible and user-configurable control of multiple devices from a single control panel or GUI. Present just the controls required to enable the operational workflows for multiple devices, from multiple vendors.
– Tally (UMD, Camera delegation) – TSL is the world leader in vendor-neutral tally control. It enables the flexible configuration of tally signals to meet the needs of even the most complex broadcast environment or production. TSL Control accommodates small centralised systems that can communicate with a huge number of third-party devices, through to large, distributed, multi-studio systems accommodating dynamic room delegation. All these systems can be specified to be redundant and resilient, local or geographically distributed to suit each customer requirement and environment.
– Protocol translation – Most broadcasters have a wide variety of new and legacy equipment that they need to work together in one cohesive system. These devices will utilise a vast array of different protocols and interfaces, everything from GPIs to XML. TSL Control platform has multiple interfaces (IP/Serial/GPIO) and a huge library of protocols, encompassing all the major broadcast vendors. This allows the TSL Control solutions to be a protocol “Swiss Army Knife”, solving issues and problems whatever the workflow.

The post TSL introduces updates across product line at IBC 2023 appeared first on NewscastStudio.

“It is increasingly clear that IP is the future, and to get there, we have to build products that provide a bridge to the new IP paradigm with familiar workflows and monitoring tools, but which will also be completely at home in an all-IP world,” states Ian Godfrey, President of TSL Inc. “Combined with TSL’s cutting-edge redundancy capabilities, customers can meet specific challenges head-on cost-effectively. It’s a customer-centric approach that caters to unique scenarios by providing an unmatched IP solution that ensures continuous audio monitoring with absolute peace of mind.”

About the new MPA1-MIX-Net-V-R

Designed to ease the transition towards IP media transport, the MPA1-MIX-NET-V-R is ideal for ST 2110 trucks and installations. Two 1G AoIP connections provide 64 channels of input, with a further 64 available via an optional MADI SFP. Support for in-band NMOS is built-in for integration with TSL control and leading third-party systems.

User interfaces are critical in high-pressure production environments, so the MPA1-MIX-NET’s design is informed by users like global production experts NEP. One example is the “V”-shaped layout of the controls for accurate fingertip navigation in low-light environments. Additionally, SNMP integration allows remote configuration changes.

Key Feature/Benefit Highlights:

– 64 channels and an optional MADI input provide a further 64 channels, with an intuitive interface and easy-to-use controls.
– A simple and intuitive way to monitor multiple audio sources by using it’s 8 dedicated rotary controls to quickly configure and create the required monitoring mix
– Provides full integration with today’s Broadcast IP networks allowing operators to easily access any audio sources for monitoring.
– Comes complete with a comprehensive webpage and SNMP support, allowing remote configuration and control.

TSL partner, NEP, a leading worldwide outsourced technical production partner to premier content producers of live sports and entertainment, states why the ergonomic user experience and sound quality are critical in high-pressure production environments. “MPA1-MIX-NET’s design is informed by end-users in conjunction with global production experts NEP. One example is the “V”-shaped layout of the front panel controls which provide intuitive navigation that’s especially valuable fast paced environments like live production in an OB truck or PCR. The built-in ST 2022-7 network capability is another step forward. Additionally, NEP and TSL integration allows for remote configuration via our broadcast control system,” says Joseph Signorino, Vice President, Systems Integration & Design, NEP Broadcast Services.

The post TSL unveils IP audio monitoring solution with redundancy appeared first on NewscastStudio.

Initially released earlier this year for NUGEN subscribers who filled out the company’s annual survey, the plug-in will soon be offered as a full solution, complete with substantial updates. Included among these are the ability to receive and compare up to four audio sources and to compare stereo versions of surround mixes in any channel count. It also now enables multiple plug-in instances to link up and communicate directly rather than using an external send.

“Our engineers have been working hard to enhance our AB Assist plug-in, which will serve as a valuable tool in anyone’s session,” said Freddy Vinehill-Cliffe, Product Specialist, NUGEN Audio. “Used as a standalone or in combination with our other utility solutions ― Jotter and Aligner ― AB Assist is sure to improve workflows and increase creativity. We look forward to showcasing it to IBC attendees.”

A new spin on the former ABX machines, AB Assist provides engineers with an easy-to-use and reliable way to compare two or more pieces of material. Among the useful tools in the plug-in is the test function, which randomly re-labels the streams as X or Y, to ensure a completely unbiased look (in this case, listen) at music samples.

Additionally, an auto-level match function allows the user to match short-term loudness (LUFS) of sources, while a delta function shows the differences between sources. The mono-check feature compares mono fold-downs, and the smooth tool creates fades between sources. The software also features a “trim” function, which allows users to trim the gain on one stream to match the subjective level of the other ― further aiding in its unbiased testing.

The latest version of AB Assist is due for release on October 2, 2023. 

The post Nugen Audio to showcase AB assist quick comparison plug-in at IBC 2023 appeared first on NewscastStudio.

“Our wide range of solutions – from entry-level to advanced – makes TSL the ideal go-to partner for reliability, quality and affordability. We help design and facilitate a transition that reduces engineering resource costs and optimizes sustainability, all while de-risking and future-proofing facilities in a way that maximizes the lifetime ROI,” comments Matthew Quade, CEO, TSL.

TSL Control − We enable

TSL Control solutions seamlessly work alongside existing infrastructure, consolidating and enhancing systems via easy-to-use interfaces and unique modular, vendor agnostic, standalone applications that help solve everyday workflow headaches, eliminate manual workarounds, and improve accuracy.

Thousands of TSL control deployments have helped customers manage a wide range of challenges, such as: transition to IP; dynamic clip insertion (frequently for adverts); universal device control; camera delegation; protocol translation; router control; and much more.

TSL Audio − We listen

In response to the company’s most frequent customer requests, TSL has developed and launched a new audio monitor for IBC. Adding to its extensive range, the MPA1-MIX-NET-V-R 1U is native IP and incorporates fully redundant networking ST 2022-7.

TSL Power − We empower sustainability

Alongside TSL’s award-winning range of intelligent and simple power distribution units, the company will also be presenting InSite, a UIIM application for control, monitoring and reporting. InSite discovers and connects devices over SNMP or Modbus to remotely display status and provide alarms, monitor power usage and other key metrics, report sustainability criteria, allow billing, and even provide some remote control. InSite is the ideal solution for broadcast applications and data centres – it’s agile, quick to deploy and low cost.

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